Erin Frances Gerofsky is a Toronto based set and costume designer for theatre, opera and film.  Through her work as a designer, Erin advocates for the power of objects as storytellers in their own right and a historically integral element of performance art. She seeks to utilize the unique ways in which objects hold space, communicate a lived history, convey character and spark the imagination to see beyond the physical form.  Erin's expressionistic approach to creation pursues emotional resonance as a means to offer audiences an immediate connection to the material that precedes the text itself. 

Recent design credits include: Set and Costume Design:  Il Barbiere Di Siviglia (Dir. Jessica Derventzis, Opera 5), Tap Ex: Forbidden (Dir. Michael Mori, Tapestry Opera), Suffragette: Botswain's Mate and Fete Galante (Dir. Jessica Derventzis, Opera 5), Rifles (Dir. Michael Wheeler, Praxis Theatre at Next Stage Fest), FourPlay (Dir. Krista Jackson, Directors Projects at Shaw Festival). Costume Design:  Heathers: The Musical (Dir. Jennifer Walls, Hart House Theatre),Provok'd Wife (Dir. Blair Williams, George Brown Theatre School), A Midsummer Nights Dream (Dir. Megan Watson, Shakespeare in the Ruff), The Container  (Dir. Zachary Florence, TheatreFix), The Penelopiad  (Dir. Sue Miner, George Brown Theatre School), The Speedy (Dir. Chris Hanratty, UnSpun Theatre at World Stage), What I Learned From a Decade of Fear (Aluna Theatre, Tour: Toronto, Montreal, NYC, Bogota) Set Design: Associate Set Design for The Emancipation of Miss Lovely (Dir. Zack Russel, Crow's Theatre)  

Upcoming:  Costume Design for Monsieur d'Eon is a Woman (George Brown Theatre School, April 2019)